Sunday, December 6, 2009
Red buckets and bell-ringers
While there are many positions that the Salvation Army takes with which I disagree, the deal breaker for me is their homophobic stance. SA would deny the sexual expression of consenting adults, claiming that marriage is the only acceptable context for sex. This not only denies the right of homosexuals to fulfillment, but to heterosexuals who do not marry, as well. We would do well to be mindful of those who seek to limit our rights in this area, and to help safeguard the rights of others.
There is much more I could mention, but look over the Salvation Army's statements of belief and decide for yourself if this is an organization that you would choose to support.
12/17 addition:
Effort Sysipus recently posted a list of charities without religious affiliation, for those who wish to make a contribution.
Saturday, November 28, 2009
Lemon Poppy Seed Cake
Dry ingredients:
- 2 cups all-purpose flour
- 1 1/2 teaspoons baking powder
- 1/2 teaspoon baking soda
- 1/2 teaspoon salt
- 1 flax egg
- 1 cup soy yogurt (vanilla, plain, or lemon-flavored)
- 1 cup sugar
- 1/3 cup canola/vegetable oil
- 1 teaspoon vanilla extract
- zest of two lemons
- juice of one lemon
- 2 tablespoons poppy seeds
Sunday, November 15, 2009
Food, Inc. Student Reactions
One thing, in particular, seemed to be a catching point for them--it was something that was brought up in every class, and something that I had to address honestly: they were concerned that I was trying to convert them to veganism by showing them this film.
My students--whether it's just one in a given class, or a handful--know that I am a vegan. I wasn't ever particularly concealing the fact, and because I got to know some of them while waiting for the preceding class to vacate the classroom in which I teach, I would inevitably end up discussing food and food issues with them. I remember that one of my students, in what I like to think is a common knee-jerk response to veganism, said that my stance was an extreme one, one that he could never understand or support. There are others who are less shocked by veganism now, and are more curious and want to have conversations with me about it. After I showed the section of Food, Inc., and after a discussion was already progressing, someone asked if I had an interest in getting them to stop eating meat--if I was trying to influence them in a way that would support my position... To which I replied, "Actually, I am not trying to tell you how to eat; I am trying to inform you about what you are already eating, and about the hidden ways in which everyday food choices are implicated in the world." I told them that in a class that focuses on analytical skills and examines current issues, it would be an oversight to not talk about food/meat.
In one of my classes, a student spoke out against factory farming--his was, by far, the most urgent and concerned voice; he was also quite well-informed about factory farming. His family owns a vinyard and a farm, and they raise their own animals and consume them. He said that exactly the ways of food production criticized in Food, Inc. were the same ones his father stood so firmly against--and it was surprising to him to see me, a vegan, agree with the kind of values upheld by his family. I, as a vegan, was surprised to have him on my side as I was addressing some other concerns brought up by his peers. This does not mean that I was compromising my position, nor did I suddenly start questioning the foundation of my ethical veganism, but I think the event taught me a few different ways in which to approach the topic and introduce it to those unfamiliar with it. Because my student and I were on the same side of the argument against factory farming, others saw veganism not just as something extreme or ridiculous or limiting, but as another way to promote criticism of the present-day methods of food production. In all my classes, the students were eager to discuss possible solutions to the problems of animal agriculture, and I think that was my goal--to allow them to see that there are people surviving quite well outside of the manipulative and mystified network of factory farming. What I thought would be a difficult topic to discuss turned out to be not only a rewarding lesson for me, but a productive point of analysis for them. In the future, I will be less hesitant to teach not just this movie, but also other texts, such as Jonathan Safran Foer's Eating Animals.
Monday, October 26, 2009
Thursday, October 22, 2009
Canning
As with any food event, there was the question of what to make; I browsed and contemplated many recipes and finally decided on BBQ Sauce, Tangelo Marmalade, and Pickled Peppers.
I planned the day along with my friend Megan, as she had an interest in canning things and is in possession of a canning pot; it also turned out that Megan and I make an incredible canning team--we work well together, and she's not afraid of picking up hot jars with her bare hands. (There she is, pouring sugar into the marmalade pot!)
to use ourselves.
Thursday, October 15, 2009
Sunday, October 11, 2009
9/14/2008
Earlier today I found out that David Foster Wallace had been found dead in his home, that evidence pointed to his having killed himself. Wallace, for those who may not know, came to some fame for his writing. The first time I came into contact with his writing was when in Columbus about three years ago. One of my good friends had clued me onto his writing; we were both in a master's program in literature. I checked Oblivion out at the branch near my apartment but I couldn't get into it.
I complained to my friend that the writing was dry, it was heavy on the detail and light on the characterization. We talked about the merits of his writing and that I liked what he was doing, but I didn't enjoy reading it. These long phone conversations lead me to eventually pick up Infinite Jest, Wallace's magnum opus. I read the majority of Infinite Jest in Daytona during the AP literature reading of 2005 afterhours, in the hotel bar by myself.
During this reading I wasn't completely sure I liked the book. It was an effort to get through it and I liked it in an abstract sense, but did not enjoy it in the same way that I would normally think of enjoying a novel. We've talked on and off about Infinite Jest for the last 3 years, and I've come closer to liking the book every time that we talked.
The news of Wallace's death has come as something of a blow to me because I had recently (as recently as this semester) been thinking about rereading Infinite Jest and incorporating it into my current studies. Wallace is a writer I have always respected if not always enjoyed and that big novel I hesitate to mention once again has been a conundrum in my reading history. I think the reason that I've always had difficulty with this novel is that I've never been able to designate it in any category. I've always been able to relegate novels into one of several categories, usually having to do with whether I liked it or not or whether I thought it might have any (what we might call in 'the business') cultural relevance. In Wallace's big novel I could see all of the hallmarks of the big postmodern novel from all of the authors I've loved and admired but there was something that squirmed in me when I thought about it. Wallace pinpointed, or at least helped to gesture toward some postmodern discontent: some malaise of the modern world: an uncertain discomfort that has always been difficult or impossible to place in reality.
I've read some accounts of Wallace's death on the internets today and they all seem to point to this dark aspect of his writing as some vague indication of his apparent suicide. I find this ludicrous to the point of insult. Wallace wrote about the world in which he found himself with dark humor and aplomb. He indicated the source of his discontent through his fictional characters and pointed a way toward distraction, if not redemption. Certainly there may have been some dissatisfaction in his life, but I like to think that the process of writing works to excise these demons rather than to enliven them. Despite the difficulty I have always found in Wallace's work (and perhaps because of them), I don't hesitate to mention my respect for him as a writer. I think that I do like Infinite Jest after all, and not because of Wallace's death but because it is a challenging book that has caused me to think a lot more than even some of my 'favorite' books have.
I've just poured myself a couple of fingers of whiskey and I'm about to sit down with a good book. I am going to revisit Infinite Jest though I might put it off a little while longer. I think I do need to thank that old friend for turning me on to Wallace and providing a sounding board to discuss his work and complain about his less admirable qualities. In any case, American literature will suffer for this loss.
Since I wrote this, I've gone back and reread Infinite Jest with a group of friends. I did, indeed, find the second read more rewarding. This isn't surprising. I often find second third and nth readings more rewarding than the first. There is something to be said for the fresh experience of a new narrative, but I've always found rereadings to be extremely valuable. At the risk of contention, I often find rereading more valuable than initial reads.
This is a novel I've thought about quite a bit, and I still find it confounding in the right way. It makes me think about narrative, the role of the author in the fiction. I think about the nature of irony. Kierkegaard defines irony, in part, as a question which is not asked in order to gain knowledge, but to subvert or question the very act of questioning. Wallace's work makes me ask these questions of myself. There are some haunting and beautiful passages in the novel, and it is one that I look forward to reading again in the future.