Fallow

Transplanting brassicas.

This year, I've devoted quite a bit of time and effort cultivating my online presence (although not lately). I've posted to this blog frequently, made connections with like-minded people, and kept up some great conversations. And for the most part, I've been missing lately.

Part of the reason for my absence is the (physically and emotionally demanding) full-time job at Beardsley Farm. I like what Beardsley does for the Knoxville community and I'm glad to be there.

This summer, I started visiting and working (volunteering time) at the farm where we've been getting our CSA for the last three years. Most recently, I've also put in a couple of days of work at another farm, working with Jim and his hot peppers. My time at the first farm started a change in me, and I'm not sure what to call it yet. It's a different awareness of farmers and their work, but that's not all. Being at both farms makes me exuberant and incredibly sad. I am so glad to have the chance to spend time with such hard-working and earnest people, but I hate to see them almost constantly so behind in their work. Jim, especially (because he tends his farm alone), tends to get discouraged. And all this has started affecting me personally--I want them to succeed, to be appreciated. More than anything, I want to help them. And for now, this means going to lend them my hands, my younger and less-tired body.

I hope you understand. I may not be around online as much. I may not offer canning classes for a little while. Please understand that I'm trying to put in effort where I think it'll count most.

Sudden, red.

Karina, Jim with his fermented Tennessee Cherry peppers, and Sarah

This past Monday a group of AmeriCorps volunteers and I visited Jim Smith; because it was continuously rainy, we ended up helping Jim take care of things inside the house, rather than helping him on the farm. We readied peppers for the dehydrator and learned about their various flavors and uses.  Jim has had a difficult few years, as he is operating the farm alone. Nevertheless, he keeps going.

What I love about this picture is that while the women are working, Jim has opened a large jar of fermenting Tennessee Cherry peppers, and is smelling a spoonful of the spicy brine. It makes me think of a Robert Hass poem from Time and Materials.


The Problem Of Describing Color

If I said--remembering in summer,
The cardinal's sudden smudge of red
In the bare gray winter woods--

If I said, red ribbon on the cocked straw hat
Of the girl with pooched-out lips
Dangling a wiry lapdog
In the painting by Renoir--

If I said fire, if I said blood welling form a cut--

Or flecks of poppy in the tar-grass scented summer air
On a wind-struck hillside outside Fano--

If I said, her one red earring tugging at her silky lobe,

If she tells fortunes with a deck of fallen leaves
Until it comes out right--

Rouged nipple, mouth--

(How could you not love a woman
Who cheats at the Tarot?)

Red, I said. Sudden, red.

Saving Seeds

Daniel, saving seeds from an over-ripe zucchini.

I've posted about saving seeds a few times already--here, here, and again in my most recent post. The thing is, all of those posts are fairly general, or focus on a specific event, rather than the specific action of saving seeds. I feel very strongly about saving seeds, even though I'm fairly new to it. There's something autonomous about the action--yes, there are great seed companies out there, and I have written in praise of a couple Etsy seed sellers; nonetheless, saving seeds is a logical step in the cycle of growing. When I save seeds, it allows me to get to know the plant better. I learn to look at the fruit/plant health not just in terms of what will be useful for eating, but also in terms of quality of seed. Sometimes we forget that plants are not only food producers, but also self-perpetuators. Also, saving the seeds from something usually yields a lot more seeds than are usually in a seed packet.

Before beginning to save seeds, it is important to know whether the plant you wish to save from is an heirloom (or open-pollinated) or hybrid. Heirloom and open-pollinated plants produce seeds that will re-create the plant variety true to type. So if you have a Cherokee Purple tomato and save seeds from it, the seeds will grow into a Cherokee Purple when planted. Hybrid plants, although often seemingly strong and perfect, will produce seeds that will not have the complete genetic information from the plant; when planted, seeds from hybrid plants will often make a plant that reverts to the characteristics of one of the parent plants. For example, if you save seeds from a SunGold tomato and plant them, you may have a couple plants that are scrawny, a few plants that produce tomatoes quite unlike the SunGold (too small, and probably not very sweet), etc. When I was saving seeds last year, I didn't know about this, and saved a lot of SunGold seeds. Most of the plants from those seeds weren't strong enough to survive hardening off, and once I realized that I'd planted a hybrid, I got rid of the remaining 2 plants, not wanting to nurture a plant that would later disappoint me. 

Once you know that the plant is open-pollinated or heirloom, you can proceed to saving seeds. Last year, I saved the seeds of sweet peppers and squash, seeds that I'd usually discard. (I later learned that squash cross-pollinates very easily, but not until I grew some strange--but edible--mystery squash.) So far, at Beardsley Farm we have saved the seeds of okra, zucchini, cucumber, and sunflowers. All of these have very evident seeds that are easy to save. All that it took to save the seeds was cutting or splitting the vegetable and taking out the seeds. We had to dry the seeds of the cucurbits, but the okra and sunflower seeds were already dry, so all we had to do was collect them.  Also, you should select the seeds from the most ripe and most perfect fruit. If you have seen the seeds of a plant (during planting time), you know what they should look like as you collect them. For example, okra seeds are dark greenish-black, whereas in edible young okra, the seeds are white; as the okra pods mature and become too tough to eat, the seeds mature, too. Finally, when the okra pods dry out, the seeds are ready for saving. This process is similar with cucurbits--wait until they are ripe (for cucumbers and summer squash, they should be ripe beyond what is acceptable for eating), and then collect seeds, drying them out as necessary. Saving tomato seeds is a little more involved, but there are resources out there to help you with that, too. 

Once you have saved the seeds, make sure they are dry and ready for storage. I've been storing my seeds in small jars or paper envelopes. The very things a seed needs to germinate--light, water, soil--are the opposite of what a seed needs to remain dormant. Saved seeds need dark, cool, and dry storage areas. 

I wish I could write more about saving seeds; I have become quite passionate about it. I try to save many different kinds of seeds--just earlier in the week, I plucked a dried out marigold flower, and saved the seeds from it. There's something wonderful about noticing the cycle of plants and helping them continue it. Keep an eye open for a local seed swap near you, and start collecting seeds to trade with others.

New Beginnings

Saving seeds.

Today was my second day at CAC Beardsley Farm, and as completely exhausted as I am I wanted to express how excited I am to be working there. I've been a volunteer there for over a year, and very shortly after I began visiting the urban demonstration farm I became interested in working there full-time.
Today, we watered all the vegetables; harvested tomatoes and okra; cleaned up around the farm; cleared an unused community garden plot; and wound down the day by saving seeds from okra and an over-ripe zucchini. Every day, I plan to learn more about the community, gardening, and my own strengths. I am also glad to be sharing my experiences with you. Thank you for your (implicit and explicit) support.

Time's Viscid Pawprint

Jars of beans from John Coykendall's visit.

This past week I began the orientation for my new job at Beardlsey Farm. It has been some time since so much was asked from me, in terms of time; not having a steady job this summer has had its drawbacks, but I have been happy to have the time to do anything that I wanted--canning, spending time with farmers, gardening. At this point of transition, I feel uncertain, stretched a little thin. As a result, I've been uneasy, agitated. In this time of change, I want to remind myself to pay attention to the things at hand, the everyday objects, which can be good anchors. In this, I couldn't not be reminded of Robert Pinsky's chapbook First Things to Hand. I'll share this poem with you.

3. Glass

Waterlike, with a little water
Still visible swirled in the bottom:

Earth changed by fire,
Shaped by breath or pressure.

Seemingly solid, a liquid
Sagging over centuries
As in the rippled panes
Of old buildings, Time's
Viscid pawprint.

Nearly invisible.
Tumbler. Distorting,
Breakable--the splinters
Can draw blood.

Craft of the glazier.
Ancestral totem substance:
My one grandfather
Washing store windows
With squeegee and bucket,
The other serving amber
Whiskey and clear gin over the counter,
His son my father
An optician, beveling lenses
On a stone wheel. The water
Dripping to cool the wheel
Fell milky in a pale
Sludge underneath the bench
Into a galvanized bucket
It was my job to empty,
Sloshing the ponderous
Blank mud into the toilet.

Obsidian, uncrystallized silicate.

Unstainable or stained.
Mirror glass, hour glass, dust:
Delicate, durable measure.

Why I can't read The Pale King right now

This story goes back a month and a half and it also goes back six years. The different time-spans will become apparent in just a moment. This story is about David Foster Wallace and his posthumously published but incomplete novel The Pale King. Kat bought me a copy of this last novel for my birthday when we were in Louisville and it has sat on my shelf since then. Had this been a completed novel, I would have begun reading it almost immediately, but there is something about attempting to read this incomplete novel that has been bothering me.
This part goes back six years when a friend of mine suggested that I read Wallace. Not knowing where to begin, I picked up a copy of Oblivion, his most recent collection of short stories at the time. The first story, "Mr. Squishy," put me off completely and I couldn't even get through the whole thing. The story includes, in part, an intensely detailed description of a focus group and the products under review. The density of detail threw me because I had not read anything like it before. I didn't realize until much later when I reread the story that the alienation I felt was purposeful -- the obsessive attention to detail in the story parallels the narrator's unhealthy obsession with retail snack-cakes and presages his eventual hostile actions. It was more than a year before I picked up Infinite Jest and I found more of the same in that novel. I found it dense beyond belief and a little knowing -- precious, in a word.
The thing rubbed me the wrong way from start to finish from its incredible depth of irony to the extensive use of end notes, but I stuck it out and read the whole thing. I was alternately bored and frustrated by it, but I kept thinking about it. In fact, I kept thinking about it for more than a year, much longer than I would expect to think about a book I thought I didn't like. Then I reread it and changed my thinking completely about it. The characters I had found so annoying the first time around became vivid and struck me as true representations of flawed individuals this time around. The timeline, built so heavily upon what I thought were dull, scatological jokes struck me as trenchant social criticisms. In short, I fell in love with the work. To this day -- after rereading the novel another half-dozen times -- Infinite Jest has become one of my favorite novels of all time.
This contributes to the trepidation I feel about reading The Pale King. Even DFW's other works, which I hadn't particularly liked, have resonated with me more since reading Infinite Jest. It is because that novel means so much that I can't read The Pale King right now. My fear is that, because it is a partial novel, it will be mediocre -- it won't live up to the other works. This, of course, would be disappointing. The greater fear I have is that it will be brilliant, even in its incomplete state. I fear reading this fragment and recognizing in it the greatness of his previous work, knowing that it will never be complete.
The last novel by David Foster Wallace will have to sit on my shelf a while longer, until I'm ready to see it. Or at least until my curiosity outweighs my trepidation. It has more value for me as a metaphor for the cut-off life of its author -- I'm content to leave it at that for now.

Simple Summer Dinner

Summer produce continues to roll in--from the markets, from friends, from my own small garden. It occupies the refrigerator, counters, stockpots... And as much frenzy as there is to preserve the vegetables so abundant now, I like to remember to eat well in the present moment, too. 

A couple days ago, when I was canning tomatoes, I briefly reached a point where I thought it was impossible for me to fill another jar--ever. I was suddenly (and momentarily) tired of canning. I couldn't bear another moment of the canner humidifying the whole kitchen. Luckily, the moment passed once I started thinking about the (delayed) gratification of eating the things I was canning, and I was content once again. But that little frantic moment also reminded me that it's not all about the later--the putting away into jars; it's also about the now. Even a simple dinner of whole-wheat spaghetti topped with squash, tomatoes, greens, broccoli; and a side of tender green beans should have its place of respect. I remember that when I was eating this particular dinner (a couple weeks ago), I told myself that if I ever complain about the heat of summer, or any such thing, I should remember dinners such as this: fresh and vibrant with the produce so recently obtained from market. I took a picture of it to remind myself of the pleasures of the present moments, and thought I'd remind you, too. Even if you're not canning this season, take a minute to notice the great food available now--and savor it.